1. |
Acceleration
06:39
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2. |
I'm Already There
05:50
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3. |
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4. |
Lake Vostok
06:24
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5. |
Reflections
05:44
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6. |
Brave Souls
08:00
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7. |
The Pacific Ocean
05:58
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8. |
Event Horizon
05:40
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9. |
Artificial Star Traveler
06:02
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10. |
The Star Arpeggiator
06:52
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Johan Tronestam Aland Islands
My father is a musican and there for we had alot of music instruments in my parental home. my favorite was the electric
organ. So i guess it started there.
I have played in various music groups, the electronic part has growing more and more besides. Under the 90” I concenrated on writing instrumental synth music. The music is created in my own studio. O today I mostly compose electronic music
... more
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supported by 7 fans who also own “Best of Johan Tronestam 2010-2013”
honestly this album takes quite a bit of time and many listening rounds to actually "get into". No doubt it is technically excellent, with more advanced composition elements than earlier records, however it isn't that easily accessible either. Perhaps this is actually a strength as each time you will listen to there will be more details to discover.
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supported by 6 fans who also own “Best of Johan Tronestam 2010-2013”
Johan Tronestam is another great discovery on Bandcamp! With this album he has created a very programmatic, rhythmically accented, melodic and easily accessible yet high quality musical storytelling drama - instrumental synth pop at its very best!! I enjoy every single of these tracks - give it a try, too!
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supported by 6 fans who also own “Best of Johan Tronestam 2010-2013”
A fantastic album. RIP Mark Shreeve - :-( You leave an amazing musical legacy....
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Perel's latest dance album takes listeners on a journey through the intricacies of belief and devotion.
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Minimalist electronic music that scores the horror film “Sleeping Beauty,” perfectly designed to deliver chills.
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“Boogie Meets Beatdown” on this epic album from the mole, where ambient interludes lead into sudden and scary dark alleys.
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supported by 6 fans who also own “Best of Johan Tronestam 2010-2013”
A wonderful progression of Redshift's own unique personality, drawing from both the rich tradition of Berlin School and Electronica of the '90s. The control of flow and dynamics in the title track is still a joy to behold, even after literally hundreds of plays.
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